Steinway & Sons record label recently released a new album featuring the world premiere recording of American contemporary classical Composer Nico Muhly’s Cello Concerto. The album was recorded by the Indianapolis Symphony Orchestra under the direction of Jun Märkl and features premiere cellist Zuill Bailey. It was commissioned by The Barbican, Europe’s largest multi-arts and conference venue and preimered by Britten Sinfonia with cellist Oliver Coates at the Barbican Center on March 16, 2012. It then was performed by the Indianapolis Symphony Orchestra on January 25, 2013. The concerto is 18 minutes in length and in three parts, alternating fast-slow-fast. When 33 year-old Muhly studied music at the Julliard School he worked with American Composer Phillip Glass who is known for his minimalist works. Muhly demonstrates minimalist techniques in this concerto beautifully with drones and steady motoric rhythmic and lyrical development.
Here is Composer Nico Muhly with his London Premiere of Gait.
Here is cellist Zuill Bailey performing on the NPR Music Tiny Desk Concert series.
Featured along with this premiere is Ernest Bloch’s Schelomo: Habraic Rhapsody for Cello and Orchestra and Three Jewish Poems. Bloch was a Swiss-born American composer of the 20th century who passed away in 1959. He is most well-known for his works that reflect Jewish culture. His compositions are approachable, yet challenging. These two pieces from Bloch compliment Muhly’s Cello Concerto perfectly.
Here is cellist Sol Gabetta performing Bloch’s From Jewish Life: Prayer accompanied by pianist Andreas Kern.
You can purchase the world premiere recording of Muhly’s Cello Concerto on iTunes or Amazon.
Composer Steve Reich drew concepts for his piece Radio Rewrite from Composer Perotin’s Proverb, composed in 1995. He also allowed Radiohead songs Jigsaw Falling into Place and Everything in Its Right Place influence the piece as well. This is the third track on his 2014 album titled after the piece itself, Radio Rewrite. The piece is in five movements, alternating in Reich’s typical fashion: Fast, Slow, Fast, Slow and Fast. Longtime friends of Reich ensemble Alarm Will Sound recorded this work under direction of Alan Pierson. The work calls for flute, clarinet, two vibraphones, two pianos, electric bass, and string quartet.
Electric Counterpoint and Piano Counterpoint are also featured on this album. Electric Counterpoint was composed in 1987 and originally performed and recorded by Pat Metheny. On this album it is recorded by Radiohead’s guitarist Jonny Greenwood. Reich heard Greenwood perform his work live and enjoyed the performance and then became interested in Radiohead’s music.
Piano Counterpoint is an arrangement of Reich’s Six Pianos by Vincent Corver in 2011. It is recorded by Pianist Vicky Chow. In this arrangement, four of the six piano voices are played as a recording while the performer plays the two remaining piano voices live.
SOLI Chamber Ensemble from San Antonio Texas recently released a new album titled “Portraits.” This album features four newly commissioned works from composers Erich Stem, Peter Farmer, Elliott Miles McKinley, and Diego Vega. Composer Erich Stem is also Associate Professor of Music at Indiana University Southeast and produced the album at New Dynamic Records. It was recorded in Louisville, Kentucky at TNT Productions. Daniel Gilliam interviewed Erich Stem and spoke with him about the concept for the album and the story behind each composer’s piece. You can listen to the interview below and you can purchase SOLI’s “Portraits” on iTunes and CD Baby.
Sebastian was commissioned by Teddy Abrams and the Louisville Orchestra for a new symphony. Mr. Chang was in town for the performance and talked with Daniel Gilliam about the creative process surrounding his first major work.
Rihm composed the music to celebrate the 50th anniversary of the Berlin Philharmonic‘s concert hall, the Philharmonie, a concert venue known for its excellent acoustic properties and unique construction. IN-SCHRIFT 2 explores this unique space, by placing musicians from the orchestra around and within the audience, creating spatial and surround-sound effects. The work is also noted for not using flutes, violins or violas (standard orchestral instruments), instead focusing on the darker and deeper sounds of the ensemble. A preview of the premiere can be seen on the Berlin Philharmonic’s website.
A prolific composer of over 400 works, Wolfgang Rihm came to prominence in 1974 after the premiere of Morphonie at an historic new music festival in Donaueschingen. His output is often associated with expressionism, a style that can be traced back to Gustav Mahler and Arnold Schoenberg. Rihm has composed thirteen string quartets, four operas, and his oratorio Deus Passus was commissioned by the International Bach Academy of Stuttgart for the 250th anniversary of Johann Sebastian Bach’s death. He has been featured composer at music festivals in Lucerne and Salzburg, and his violin concerto was premiered in 2010 by Anne-Sophie Mutter and the New York Philharmonic. Rihm was born in 1952 in Karslruhle and is a professor at Karlsruhle University of Music.
The 2015 Award in Music is one of five Grawemeyer awards from the University of Louisville, each with a prize of $100,000.