O Fortuna: Louisville Orchestra Broadcast

Lou-Orch-Abrams-cr-ONeil-Arnold

Our next broadcast of the Louisville Orchestra is coming up Thursday at 8pm, and features the monumental cantata Carmina Burana by Carl Orff, Spem in Alium by Thomas Tallis and more music for choir and orchestra. This concert put over 380 voices on stage, made up of singers from choirs across Louisville. Here’s the program from the concert and here’s Erin Keane’s review. The concert also showcased violinist Jeremy Kittel, with guest cellist Ben Sollee.
caroline-shaw
Caroline Shaw‘s Oculi Mei, received only its second performance with the Louisville Chamber Choir and Louisville Orchestra on this concert. Check out this episode of Meet the Composer and learn all about Caroline and her music.

Louisville Orchestra with Storm Large and Kevin Cole

storm large

Tune in for the concert broadcast of the Louisville Orchestra, Saturday at 6pm, with guests Storm Large, Hudson Shad and Kevin Cole. Teddy Abrams led a concert with Richard Rodgers’ overture to Oklahoma, Weill’s Seven Deadly Sins, Gershwin’s New York Rhapsody and Copland’s Rodeo.

Listen to Kevin Cole’s Lunchtime Classics performance here:

Music Makes a City with Teddy Abrams

The Music Makes a City team is starting to release webisodes updating their original film’s story, and highlighting new Louisville Orchestra music director Teddy Abrams. Check it out and watch their Youtube channel for more!

Kentucky Center Stage: Louisville Orchestra Finale

Teaser_Faksimile_Beeth_03

Don’t miss the last Louisville Orchestra broadcast of the season with Jorge Mester conducting Beethoven’s first and last symphonies, recorded in Whitney Hall with soloists Katie van Kooten, Rebekah Bortz Hardin, Daniel Weeks, Kenneth Shaw and the chorus which included singers from University of Louisville Cardinal Singers and Collegiate Chorale, Voces Novae and Louisville Chamber Choir.

And listen to this interesting segment from Radiolab on Beethoven and the metronome.

Women’s History Month – Joan Tower

joan_tower

Joan Tower was a late-bloomer as a composer. Her first break-out composition, “Sequoia”, was written when Tower was 41. Tower’s music is closely tied to the Louisville Orchestra as the LO recorded several of her works for their “First Edition” series.

Joan Tower was born in New York, but moved to Bolivia when she was a child. The rhythmic music of that area can be heard in many of her compositions. Tower’s early music career was as a pianist. She co-founded the music group called the Da Capo Chamber Players in 1969. She wrote many works for the group to perform. She eventually left the group in the mid 1980’s as her composing career took flight. Tower was appointed composer-in-residence with the St. Louis Symphony Orchestra. Tower became the first woman recipient of the Grawemeyer Award for music, awarded by the University of Louisville for her composition “Silver Ladders”, in 1990.

Five of Tower’s works were recorded by the Louisville Orchestra, including her concertos for clarinet, flute and piano. She’s also featured in the documentary about the Louisville Orchestra called “Music Makes a City”, which is currently being offered as a gift from WUOL if you pledge during our spring membership campaign.
Enjoy this interview with Ms. Tower as she discusses the challenges faced by the contemporary composer.