Cypress String Quartet from San Francisco, California has released their newest album, Beethoven: The Middle String Quartets, which features five quartets from Opp. 59, 74, and 95. Beethoven began writing these in 1806, just after he finished premiering his Eroica Symphony. These works are challenging and hard to understand. During this time period music for string quartet was a genre that was enjoyed privately among die hard music lovers, so these quartets are almost experimental in a sense. Cypress takes on these string quartets with ease, performing them beautifully.
Cypress recently stopped by our performance studio at Classical 90.5 to talk with Daniel Gilliam about their journey to record and perform all of the Beethoven String Quartets. They also treated us to a special performance of Erwin Schulhoff’s Cavatine from Divertimento for String Quartet. Members Jennifer Kloetzel and Tom Stone discussed their recordings of Beethoven’s middle and late string quartets, and their plans to record his early quartets this June. They also described their Call and Response program, which pairs a newly commissioned work from a living composer with a standard masterpiece. This program reaches out to students all over the San Francisco Bay Area, creating new classical music lovers of all ages. Members of Cypress include Cecily Ward and Tom Stone on violin, Ethan Filner on viola, and Jennifer Kloetzel on cello.
You can purchase Cypress String Quartet’s newest album Beethoven: The Middle String Quartets on iTunes, and you can also purchase their first release of the quartets, Beethoven: The Late String Quartets on iTunes. Stay tuned for their release of Beethoven’s early string quartets.
Here is a video of Cypress String Quartet performing the second movement of Beethoven’s String Quartet in Bb Major, Opus 130: II. Presto.
Internationally acclaimed violinist Rachel Barton Pine has put together a double-disc set album including all of Mozart’s violin concertos and the Sinfonia Concertante, K. 364, and we’re offering it to you with your sustaining membership of $15 or more (or a lump sum gift of $180).
For this album Ms. Barton Pine worked with the Academy of St. Martin in the Fields and conductor Sir Neville Marriner. She has been listening to Sir Marriner and the Academy play Mozart ever since she was a child. She grew up listening to them on LP records given to her by her mother. Collaborating with these musicians was a dream she fulfilled. You can hear the level of dedication and passion from her and the Academy when you listen to this record. She has a very fine understanding of Mozart and expresses his music dramatically. She and her collaborators were detailed and precise during the recording process and didn’t stop until they achieved the perfect sound.
You can receive a copy of her new album when you contribute $15 or more during our Spring Membership Drive, March 23-28, 2015. Call (502) 814-6565 or give online.
Check out a video of Ms. Pine performing the 2nd movement of Mozart’s Violin Concerto No. 5 below.
Steinway & Sons record label recently released a new album featuring the world premiere recording of American contemporary classical Composer Nico Muhly’s Cello Concerto. The album was recorded by the Indianapolis Symphony Orchestra under the direction of Jun Märkl and features premiere cellist Zuill Bailey. It was commissioned by The Barbican, Europe’s largest multi-arts and conference venue and preimered by Britten Sinfonia with cellist Oliver Coates at the Barbican Center on March 16, 2012. It then was performed by the Indianapolis Symphony Orchestra on January 25, 2013. The concerto is 18 minutes in length and in three parts, alternating fast-slow-fast. When 33 year-old Muhly studied music at the Julliard School he worked with American Composer Phillip Glass who is known for his minimalist works. Muhly demonstrates minimalist techniques in this concerto beautifully with drones and steady motoric rhythmic and lyrical development.
Here is Composer Nico Muhly with his London Premiere of Gait.
Here is cellist Zuill Bailey performing on the NPR Music Tiny Desk Concert series.
Featured along with this premiere is Ernest Bloch’s Schelomo: Habraic Rhapsody for Cello and Orchestra and Three Jewish Poems. Bloch was a Swiss-born American composer of the 20th century who passed away in 1959. He is most well-known for his works that reflect Jewish culture. His compositions are approachable, yet challenging. These two pieces from Bloch compliment Muhly’s Cello Concerto perfectly.
Here is cellist Sol Gabetta performing Bloch’s From Jewish Life: Prayer accompanied by pianist Andreas Kern.
You can purchase the world premiere recording of Muhly’s Cello Concerto on iTunes or Amazon.
Composer Steve Reich drew concepts for his piece Radio Rewrite from Composer Perotin’s Proverb, composed in 1995. He also allowed Radiohead songs Jigsaw Falling into Place and Everything in Its Right Place influence the piece as well. This is the third track on his 2014 album titled after the piece itself, Radio Rewrite. The piece is in five movements, alternating in Reich’s typical fashion: Fast, Slow, Fast, Slow and Fast. Longtime friends of Reich ensemble Alarm Will Sound recorded this work under direction of Alan Pierson. The work calls for flute, clarinet, two vibraphones, two pianos, electric bass, and string quartet.
Electric Counterpoint and Piano Counterpoint are also featured on this album. Electric Counterpoint was composed in 1987 and originally performed and recorded by Pat Metheny. On this album it is recorded by Radiohead’s guitarist Jonny Greenwood. Reich heard Greenwood perform his work live and enjoyed the performance and then became interested in Radiohead’s music.
Piano Counterpoint is an arrangement of Reich’s Six Pianos by Vincent Corver in 2011. It is recorded by Pianist Vicky Chow. In this arrangement, four of the six piano voices are played as a recording while the performer plays the two remaining piano voices live.
Violinist Jinjoo Cho joined us in the Performance Studio of Classical 90.5 to perform a concert on February 3rd. Ms. Cho received the gold medal at the 2014 International Violin Competition of Indianapolis in September. The Gheens Great Expectations Program welcomed her and the administrator of the Gheens series pianist Jeff Jamner accompanied her. She gave an outstanding concert of “Grave and Fuga from Sonata No. 2 in A minor, BWV 1003″ by J.S. Bach, “Sonata in E Minor, K. 304″ by W.A. Mozart, and “Fantasy for Solo Violin” by Ellen Taaffe Zwilich. Daniel Gilliam hosted the concert, and spoke with Ms. Cho and Glen Kwok, Executive Director of ICVI.