Every weekday at 10:30am I play what I call a “guitar pick.” It’s a work featuring the guitar. It can be as a solo instrument, in a chamber setting or with orchestra. On Monday I played a guitar trio by François de Fossa. De Fossa was born in 1775 in the south of France. Besides being a guitarist and composer, De Fossa was an officer in the French military. His trios show a similarity to the Italian composer Luigi Boccherini who made his living in Spain. Among De Fossa’s works is a set of guitar duos with some movements consisting of transcriptions of movements from Symphonies by Joseph Haydn.
This week’s guitar picks:
François de Fossa – Guitar Trio, Op. 18: no 1 – Wynberg, Simon; Beaver, Martin; Epperson, Bryan
Scott Joplin – The Easy Winners – Giovanni de Chiaro
Nicolo Paganini – “Moses” Variations – Gil Shaham and Goran Sollscher
Joaquin Rodrigo – 3 Spanish Pieces – Eduardo Fernandez
This week’s ukulele pick is a song by Toronto-based Zoe Henderson with a sweet original song:
Every weekday at 10:30am I play what I call a “guitar pick.” It’s a work featuring the guitar. It can be as a solo instrument, in a chamber setting or with orchestra. Thursday’s pick was by the Spanish composer Joaquin Rodrigo. Rodrigo lost his eyesight due to illness when he was three years old. He began learning music and instruments (piano and violin) when he was eight. He composed mostly for piano, but a work he wrote for guitar and orchestra in 1939, Concierto de Aranjuez, with its famous 2nd movement was to establish him in the public eye as a composer for the guitar. That work’s sucess led to other commissions for guitar – or guitars – with orchestra. Concierto Malaga is influenced by the sounds of flamenco music. Rodrigo’s work with the Romeros would continue including works for 2- and 4 guitars with orchestra.
Manuel de Falla – Miller’s Dance – Eduardo Fernandez, guitar
Anonymous – Romance – William Gomez, guitar
Joaquin Rodrigo – Conceirto Malaga – Pepe Romero, guitar
Manuel Ponce – 3 Popular Mexican Songs – Adam Holman, guitar
My ukulele pick is a Song for Everybody by my friend – a Nashville-base songwriter – named Matt Lindahl.
Every weekday morning at 10:30 Alan Brandt presents the “Guitar Pick,” a musical selection that features the guitar in some form or fashion. It can be as a solo instrument, in a chamber setting or with orchestra. On Monday, Alan played a concerto by Antonio Vivaldi that has seen several different arrangements, including this arrangement for four guitars.
The Concerto, RV 580 by Vivaldi was originally written for 4 violins and orchestra. It was part of a published set under the opus number 3. The 12 concerti were collectively called L’Estro armonico or “The Harmonic Fancy” by its publisher. Johann Sebastian Bach, who met Vivaldi at one point, liked the concerto so much he transcribed it for 4 harpsichords and orchestra.
This recording doesn’t state who transcribed the work for 4 guitars, but it’s a good bet it was done by one of the family members of Los Romeros.
Kaaija Saariaho’s music is entrancing – sometimes disorienting. It’s lyrical and colorful. It often combines intricate textures with electronic elements, that can be delicate and ethereal or just loud and thick. Performances of her music have been steadily growing throughout the United States since the early 2000s, and earlier this year the Los Angeles Philharmonic, with Gustavo Dudamel and baritone Gerald Finley, commissioned and premiered her song cycle “True Fire.” In March of 2016 the Dutch National Opera will premiere her next opera “Only the Sound Remains.”
Saariaho’s work earned the admiration from audiences and critics, and she’s been the recipient of major prizes including the Polar Music Prize in 2013, the Nemmers Prize in 2011, and in 2003 the Grawemeyer Award in Music Composition for her opera “L’amour de loin,” an opera Anthony Tomassini of the New York Times named best new work of 2000. She is in Louisville as a guest for the 30th Anniversary of the Grawemeyer Award and sat down with Daniel Gilliam to talk about her career and music.