Anne Richardson

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Classical 90.5′s live music program, Lunchtime Classics, is on summer hiatus. In the meantime, we’ll look back at some notable past performers.

Sixteen-year-old cellist Anne Richardson is a veteran performer on WUOL’s Lunchtime Classics and a past winner of the Classical 90.5 Young Artist Competition. Anne made her solo debut at age ten with the Louisville Orchestra and has gone on to perform with the Blue Ash Montgomery Symphony Orchestra, Bryan Symphony Orchestra, and Massapequa Philharmonic.

Anne is currently enrolled in the Juilliard School Pre-College Division as a student of Richard Aaron. She recently won the Juilliard Pre-College Cello Concerto Competition and then she made her solo debut at Juilliard’s Peter Jay Sharp Theater with the Pre-College Symphony.

Enjoy this past performance from Lunchtime Classics:

And here’s a video from Ms. Richardson playing the first concerto by Saint-Saens.

Mozart’s Unique Quintet

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Have you ever created something unique? That’s what Mozart did when he wrote his quintet for piano and woodwinds. It was the first ever quintet that featured those instruments in a group. It became so popular that Ludwig van Beethoven wrote one of his own, with the same instruments, same number of movements and even similar tempos in each movement. (Watch a full performance below)

Mozart himself knew it was something special. In a letter to his father Mozart wrote, ” I have written…a quintet which has been exceptionally well received; – I myself consider it the best thing I have ever written in my life.” Strong words from a master composer!

Inspiration from Shakespeare

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Tchaikovsky was a Shakespeare fan. If you don’t believe it, just consider the number of his works inspired by the Bard: Romeo and Juliet Overture-Fantasia, Hamlet Overture-Fantasia, Incidental music to Hamlet, and The TempestFantasia.

Shakespeare has always inspired composers, including Mendelssohn, Berlioz, Britten and Thomas Adès.

Tchaikovsky’s The Tempest was suggested by Vladimir Stassov. He gave Tchaikovsky an outline of the play, that served as the musical narrative. Tchaikovsky’s music evokes a stormy sea, the love between Miranda and Ferdinand, and the magic of Ariel.

Watch Gustavo Dudamel talk about his recording project featuring the Shakespearean works of Tchaikovsky, and don’t miss Kentucky Shakespeare’s performances this summer!

A Remembrance of Lorin Maazel

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Maestro Lorin Maazel

Obituary from the New York Times

Obituary from The New Yorker

The lighter side of English music

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Light music is a generic term for a British musical style of “light” orchestral music, which originated in the 19th century. It reached its peak in the mid 20th century but continues until the present day.

The style is a less serious form of Western classical music, usually comprised of shorter orchestral pieces and suites designed to appeal to a wider audience than more serious compositions. The form emphasises melody and tonal harmonies.

Occasionally known as mood music or concert music, light music is often grouped with the easy listening genre, although this designation is misleading. Although mainly a British phenomenon, light music was also popular in the United States. Composers such as Leroy Anderson and George Gershwin could be considered American progenitors of light music.

We’ll hear light music from Great Britain on the next English Pastorale, Sunday at 9 am.