The Music Makes a City team is starting to release webisodes updating their original film’s story, and highlighting new Louisville Orchestra music director Teddy Abrams. Check it out and watch their Youtube channel for more!
- Posted by Daniel Gilliam on September 2
John Rutter was born in London in 1945 and received his first musical education as a chorister at Highgate School. He went on to study music at Clare College, Cambridge, where he wrote his first published compositions and conducted his first recording while still a student. His compositional career spans both large and small-scale choral works, orchestral and instrumental pieces, a piano concerto, two children’s operas, music for television, and works for such groups as the Philip Jones Brass Ensemble and the King’s Singers.
From 1975 to 1979 he was Director of Music at Clare College, whose choir he directed in a number of broadcasts and recordings. After giving up the Clare post to allow more time for composition, he formed the Cambridge Singers as a professional chamber choir primarily dedicated to recording, and he now divides his time between composition and conducting.
John Rutter’s orchestra music will be featured on this week’s An English Pastorale, Sunday at 9 am.
- Posted by Alan Brandt on August 29
Kentucky Opera opens their 2014-2015 season with Beethoven’s Fidelio, and you can get an up-close preview on Lunchtime Classics, September 3rd at noon. Call (502) 814-6565 to reserve a lunch from City Cafe and a front row seat. Space will fill up quickly!
Until then, check out this cover for an LP set of Fidelio conducted by Zubin Mehta
- Posted by Daniel Gilliam on August 28
Lunchtime Classics returns next Wednesday (August 27th) with LONGLEASH, a piano trio based in New York. Louisville-native John Popham (LYO alum) is the cellist, along with violinist Pala Garcia and pianist Renata Rohlfing. Details here for reserving a seat and lunch.
- Posted by Daniel Gilliam on August 20
Mozart acknowledged how difficult writing for string quartet could be when he dedicated a set to the father of the nascent genre, Joseph Haydn, saying “They are…the fruit of a long and laborious study.” Haydn had created the “string quartet” about 30 years before Mozart’s work in the genre, and others (including Ignaz Pleyel in 1784) had paid similar homage to Papa Haydn.
Our Featured Album this week is Cuarteto Casals playing three of the six quartets dedicated to Haydn, by Mozart. Sample some of Cuarteto Casals’ earlier recordings of Mozart here:
- Posted by Daniel Gilliam on August 12