Classical 90.5 and Squallis Puppeteers present Ferdinand the Bull


Ferdinand The Bull

October 1st at 10am & 1pm

Highlands Community Campus (HCC)

1228 E. Breckinridge St.

Louisville, KY  40204

This is a musical performance and suitcase puppet show of Ferdinand, the original a children’s book with words by Munro Leaf and drawings by Robert Lawson. Classical 90.5’s education programs manager, Sara Soltau, holds a masters in violin performance and will perform the story of Ferdinand the Bull for violin and narrator written by Alan Ridout. Squallis Puppeteers’ Shawn Hennessey will present a suitcase-sized puppet show of the story alongside the music and narration.

Recommended for children ages 3-10

Puppet show: $5.00; Puppet-making workshop: $5.00

For more information contact Squallis Puppeteers

Listen to a sneak peak into the making of the show with Shawn Hennessey:

Albrink & Luvisi: Two Artists Collaborating


Featured Album and Giveaway: Argerich’s Early Recordings

martha argerich

Argentine pianist, Martha Argerich’s career was launched in the 1960s with a series of important competition wins and concerts. She won the International Chopin Piano Competition in 1965, and later that year made her debut in the US at Lincoln Center. Around this time she made her first commercial recordings, and these are now being released on Deutsche Grammophone.

We’ll be featuring this new two-disc set this week, and you can enter to win a copy below.

Suzanne Farrin and the ondes Martenot

ondes martenot


Hear Suzanne Farrin play the ondes Martenot, again, on Sunday August 21st at 7pm, at Dreamland.

LYO Gets a New Music Director

Deanna Tham

Mahler and Tchaikovsky symphonies are often big, expensive endeavors for professional orchestras, and they may seem out of reach for youth orchestras.

But the newly appointed music director for the Louisville Youth Orchestra sees opportunity in big symphonies for young players.

I spoke with Deanna Tham about her goals as the new conductor of the Louisville Youth Orchestra, and how to approach teaching orchestral music to the next generation of musicians.

On the balance between being a teacher to young people and coaching musicians in a mock professional setting:

“You let the music do the teaching. The music, it’s been around for hundreds and hundreds of years. The music that’s being created now is going to be around hopefully for hundreds and hundreds of years, and it offers so much on its own.

“I don’t even think about teaching. The music is teaching me, and I am just relaying that information to those students. I might frame it in a different way. I might have to coach them in, hey, if we want to get this effect, you’re going to have to do these things. And those are just mechanics. But that’s what the music is teaching me. I hear something that comes back from them at me from the orchestra and I go, look, it’s nothing personal, it’s nothing about education, this is just the way it’s supposed to sound, this is what the music is supposed to do.”

On her ambitions for the Louisville Youth Orchestra:

“That’s what really got me — being in that culture — really got me excited about playing classical music was playing those huge pieces, and you can do that in youth orchestra. There are limitations in youth orchestra, which is what allows me to play those, I take advantage of those limitations in the sense that in a professional orchestra, you have to program down or program smart. And it’s not that I don’t program smart. But in a youth orchestra, I’m trying to get as many people to play as I can.

“That opens up to things like ‘Pines of Rome’ is absolutely something we can do, anything that’s Mahler is absolutely something we can do because the numbers are so huge. And you know what? That’s what got me excited about music. And that’s what I want to get these kids excited about.”